23/08/2015

An interview about the book on Gonzo Web Radio.



A little promo for the book is this interview I've had with Jonathan Downes for Gonzo Web Radio. You can listen to it through the Gonzo Weekly magazine (issue 144) at http://www.gonzoweekly.com/ going to page 41.
Thanks Jon for it and sorry to everyone for my poor English!

07/08/2015

The first review...

Posted on Marlbank Web site (read here) on July 3oth, 2015, this is the first review on the Web:


"Mike Taylor drowned in January 1969. He was just 30 years old. What the pianist achieved during his brief career, notably the albums Pendulum and Trio, continues to resound with new generations discovering his music for the first time as does the mysterious and often sad story of the part he played in the British jazz scene of the 1960s.

This is the first biography of the pianist and unearths a good deal of detail little known to today’s jazz world. The foreword deals with the harsh facts of the death of Taylor and jumps into what the book’s author Luca Ferrari terms the pianist’s “secret pain” quoting friends who begin to reveal what they thought of the mysterious pianist who relate even the “fiasco” of the funeral. A morbid tale then at the outset, at some considerable remove from sentimental fandom, Ferrari even discusses the Taylor gravestone scrutinising the poetic epitaph with its promise that “my life/Is More than my action,” something, however cryptically, history seems to have borne out given Taylor’s posthumous regard.

This book, not huge in length, is packed full of carefully gathered research, and surely will drive the legend that bit more no matter how hard the Taylor records still prove to find in their enduring position of stubborn rarity.

The first chapter sees a track back to the famous Ornette Coleman 1965 Croydon concert that Taylor’s quartet provided the support act for. Despite the sense of occasion bad luck dogged the pianist – a review in one magazine even got his surname completely wrong.

Born in Ealing in 1938, his father an accountant in the family wallpaper and paint firm who died when Taylor was just three years old, his mother Mary passing away three years after her husband, the orphaned Taylor and his siblings were brought up by their grandparents. After national service, by the early-1960s, Taylor now married, was listening to Bill Evans and Art Blakey records with friends, getting stoned a little, living in the suburban respectability of Twickenham, driving an Austin. Beginnning to jam on the London jazz scene in 1960-61 playing in places like the Nucleus coffee bar in Covent Garden improvising on standards and the blues Taylor would form a quintet, Ginger Baker becoming his first drummer. Taylor compositions would much later be performed by Cream on Wheels of Fire.

At this stage in his career Taylor was influenced by Horace Silver and Ferrari draws on the memories of friends and colleagues of Taylor’s at the time as he does throughout the book amassing a wealth of first hand accounts. Taylor’s piano and composing style, Ferrari writes, changes dramatically as it became a quartet, hard bop giving way to modal music, the modernism of the music analogous to the Paul Klee-like gig posters Taylor sometimes painted.

Chapter three deals with the making and subsequent release in 1966 of Pendulum an album that took a new look at jazz standards and mixed these with new Taylor tunes including one that was a tribute to Spanish guitarist Segovia. Lauded by Ian Carr who had introduced Taylor to producer Denis Preston as “a landmark in British jazz” the trumpeter and bandleader points to the lack of “old clichés” in the writing.

Worth reading particularly alongside Alyn Shipton’s Ian Carr biography Out of The Long Dark for more period flavour, Out of Nowhere could do with an index and a bibliography although there is a useful appendix and a slim discography. Besides Pendulum Taylor’s only other album as sole leader was 1967’s Trio an album Ferrari regards as “Taylor's masterpiece.” There are photos but they’re not brilliantly reproduced by today’s high quality standards and Ferrari gets a number of small things wrong – eg Radio 3 did not start until 1967: it was the Third programme when Jazz Record Requests played Taylor’s music – but not a lot that really jars although chapter five could certainly do with some judicious editing and there are a few too many passages where the wayward syntax makes the sense very unclear.

A sad tale, ultimately, Taylor’s life fell apart as his marriage collapsed and his consumption of LSD began to make his behaviour highly erratic, his once conventional lifestyle a distant thing of the past. “Barefoot and ragged and carrying a small drum,” was how writer Dave Gelly remembered seeing Taylor not long before his death, the decline a shock to all who knew him and loved his music so well.

Published by Gonzo Multimedia. Available from Amazon for around £10."

Details Category: Reviews Last Updated: Thu 30th Jul 2015 12:39:24

02/08/2015

The press release of the book.


This is the press release of the book, edited by Glass Onyon PR (run by musician/writer Billy James - http://www.glassonyonpr.com):

 



New Book On Elusive Jazz Composer, Pianist and Co-Songwriter for Cream, Mike Taylor - Now Available

London, UK - Jazz buffs worldwide are excited about the new book documenting the life of elusive British jazz composer, pianist and co-songwriter for classic rock legends Cream, Mike Taylor. Titled "Out Of Nowhere", the biography was written by Italian underground author Luca Ferrari and published by UK's Gonzo Multimedia.

Having rehearsed and written extensively throughout the early 1960s, Mike Taylor recorded two albums for the Lansdowne series produced by Denis Preston: "Pendulum" (1966) with drummer Jon Hiseman, bassist Tony Reeves and saxophonist Dave Tomlin) and "Trio" (1967) with Hiseman and bassists Jack Bruce and Ron Rubin. They were released on Columbia Records UK.

During his brief recording career, several of Taylor's pieces were played and recorded by his contemporaries. Three Taylor compositions were recorded by Cream, with lyrics by drummer Ginger Baker ("Passing the Time", "Pressed Rat and Warthog" and "Those Were the Days"), all of which appeared on the band's August 1968 album "Wheels Of Fire". Neil Ardley's New Jazz Orchestra's September 1968 recording "Le Déjeuner Sur L'Herbe" features one original Taylor composition "Ballad" and an arrangement by him of a Segovia piece "Study".

Mike Taylor drowned in the River Thames near Leigh-on-Sea, Essex in January 1969, following years of reported heavy drug use. He had been homeless for two years, and his death was almost entirely unremarked.

In 2007, the independent record label, Dusk Fire Records, released for the first time "Mike Taylor Remembered", a 1973 tribute to the musician recorded by Neil Ardley, Jon Hiseman, Ian Carr, Barbara Thompson, and other major modern British jazz players.

And now in 2015, Gonzo Multimedia has published "Out of Nowhere", the first biography on Mike Taylor written by Italian author Luca Ferrari.

Says Luca, "My book was a real challenge because apart two good articles nothing was known about Mike Taylor, just some dates from his past, often fakes, never verified. Listening his few records (thanks my friend Dave Tomlin) I discovered this wonderful obscure world of sounds, a very rare dimension of intimacy, made of experimentations and great sensibility... In his short artistic life there's a surprising rapid progression (evolution) from standard hard-bop (Horace Silver) style to a temperate free-jazz (with "Trio"), very exclusive and original (personal) also in that greatly original English scene gravitating around the Old Place and the Little Theatre, after that it seems as all the things was told and nothing is left to tell: his personal life, with the painful collapse of his marriage, through the experience of acid (LSD) explodes his middle-class culture and defined a new freaked personality, without roots, personal relations, homes... Last two years was a tragic painful wandering around London, often near Kew and Richmond Park, until his sudden death in the water of Thames... Anyway, thanks to some very good journalists (Richard Morton Jack and Duncan Heining) and a sensitive label owner (Peter Muir) the memory of him is not lost. This book is a sort of reparative way to celebrate his musical genius and to recollect his life."

Luca Ferrari is an Italian underground writer. He has written several books about folk and rock musicians including Third Ear Band, Pink Floyd, Robyn Hitchcock, Captain Beefheart, Tim Buckley, and Syd Barrett for the main Italian publishers. He has written several articles and reviews for Italian magazines such as Ciao 2001, Vinile, Buscadero, and Rockerilla. He met Syd Barrett in 1986 and contributed to the reunion of the Third Ear Band during the 1980s.

Having run Italian fanzines about Pink Floyd and Syd Barrett since 1979, he worked together with Ivor Trueman (who was running the fanzines The Amazing Pudding and Opel) about a petition in order to allow the release of the album "Opel". His book "Tatuato sul Muro: L'enigma di Syd Barrett", published in January 1986, sold well in Italy and was worldwide the first biographical book about the controversial, and at the time even more enigmatic, figure of Syd Barrett.

In 1993 he contributed an essay to the Captain Beefheart (Don Van Vliet) book titled "Stand Up To Be Discontinued. The art of Don Van Vliet" (Cantz edition) and in 2011 he provided expert advice to the book titled "Barrett" (Essential Works Limited, London 2012), edited by Russell Beecher and Will Shutes.

His book about Italian folk music titled "Folk Geneticamente Modificato" (2003) is one of the few contributions ever published in Italy.

And now, Luca Ferrari's new book on Mike Taylor "Out Of Nowhere" is available!

To purchase: http://www.amazon.co.uk/O...


Press inquiries: Glass Onyon PR, glassonyonpr@gmail.com


More Information: http://www.glassonyonpr.com

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