12/06/2016

Two b/w photos taken at the Mike's flat in April 1967.

"Curiously, this poster appears on two b/w photographs taken by Norman Potter on April 12th, 1967 with Barbara Thompson (Jon Hiseman's wife) posing with her sax. Hung on the wall behind her, at the bottom of the “Mike Taylor” we can read: “Modern jazz by the Mike Taylor quintet”... 
“These are newspaper photos of Barbara taken in Mike Taylor’s flat at Kew, but some time after he left, when I was still renting it”, Hiseman reveals. “Probably early ‘67, we think they was taken for the Daily Mirror when Barbara was playing with an all Girl Group The She Trinity who had a minor hit...”".
(note 50 of my book "Out of Nowhere")

Here below are that two photos taken at the Mike's flat: I included the first one in my book, the other was left out. 


04/06/2016

Mike Taylor's personal copy of "Trio".

"(...) Anyway, even if recommended for years by Universal, today not even Pendulum is available in the shops, another bitter twist of fate making Taylor's work unobtainable for jazz fans. A work that someone, somewhere, seems to wish vanished with him in the Leigh-on-Sea waters...
All we can do is to embark on a probably fruitless search for one of the few original vinyl copies still around as some years ago Japanese jazz collector Koro Ito did, who has a collection of more than 18.000 long-playing records.
His demise which was likely to have been an accident, holds an unexpected coup de théatre. is really an incredible story, in line with the short history of Mike Taylor's life.
Steve Pank says: “It was when I was working at the Middle Earth Club and Mike Taylor was there. I knew that he had made some records. I said to him if you bring a copy of your record in maybe we can get it played on the sound system. Later he came in and handed me a copy of Trio. I never did get it played, and the next I heard he had committed suicide, so I could not return it”.
So Steve finds a copy of Taylor's album at home, and some years later, in 2013, he finds it again and asks Dave Tomlin if he wishes to have it.
“He replied that he didn't have much storage space and that he had a copy of Pendulum but didn't have a record player so he could not play it. His brother had gone to a lot of trouble to get hold of it for him, so he felt obliged to store it. I made the suggestion that he could sell it on eBay. Later he told me that his brother was quite adept at dealing on eBay and that his copy of Pendulum had been posted. It turned into a bidding war between two gentlemen one in France and one in Japan, and eventually Japanese man bought it for £400-£500”.
At this point Steve decides to sell Trio on eBay...
“Dave took it and sold it to the same Japanese man for around £200, and Dave offered me half of the proceeds. Part of the deal was that Dave would make me a copy on CD. This was the first time that Dave had heard Trio. He was amazed at how good it was...”.
So Koro Ito became the owner of the Trio which had been Mike's personal copy!
He says, “I nearly fell to the floor in a faint when I realised that Mike Taylor had actually touched it”."
(excerpt from my book "Out of Nowhere")

Here's below Mike's personal copy of the record (courtesy of Koro Ito): 



 

15/05/2016

A kind interesting e-mail from producer TONY HIGGINS.

I've received few days ago a very kind and interesting e-mail from Tony Higgins, researcher and executive producer of Mike Taylor's "Trio" (Universal CD edition):

"Dear Luca,
I have just got a copy of your Mike Taylor book, many thanks for writing it.
In 2002-2003 I helped Gilles Peterson compile the 'Impressed' albums, Vols 1 & 2.
For Vol 2, I got "Timewind" from Neil Ardley, and used it on the album, the first time it had been released and wrote some notes on Mike for the sleeve notes.
I sold my copies of "Pendulum" and "Trio" on ebay to a collector in Japan. 



I also met a woman whose late husband was Mike's friend; they were witnesses at Mike's wedding, and he was his best man. She told me about Mike.
I produced the reissue of the "Trio" CD for Universal Impressed Re-pressed series.
I am putting together an album of rare British jazz that will include "To Segovia" from "Pendulum", with new sleeve notes.

I also have a recording of Mike Taylor compositions from the BBC Jazz Workshop recorded at Aeolian Hall, London on Saturday 17 May 1969, featuring Jack Bruce, Jon Hiseman, Howard Riley and others and two more sessions recorded for the BBC: Two Taylor tracks by the New Jazz Orchestra from BBC "Jazz Club" 14.2.71; one Taylor track by Barbara Thompson's Paraphernalia from 'Jazz In Britain' 1.4.73.

Are you aware that the New Jazz Orchestra also did a Jazz in Britain session on 19 Oct 1970 which featured mostly Taylor pieces – a group led by Neil Ardley, with Ian Carr, Dave Gelly, Barbara Thompson, Frank Ricotti, Chris Laurence, Mike Travis and Norma Winstone. They played:

"Summer Sounds, Summer Sights" (Taylor, arr B Thompson)
"Land of Rhyme In Time" (Taylor, ar D Gelly)
"Pendulum" (Taylor)
"After Long Silence" (Ardley)
"She Weeps Over Rahoon" (Ardley)
"Will You Walk A Little Faster?" (Ardley)
"Song of Love" (Taylor)
"Jumping Off The Sun" (Taylor)
"Timewind" (Taylor)


NJO at Marquee Club in 1965.
Then there’s another New Jazz Orchestra "Jazz Club" studio (not live) session from 17 July 1968 – their first BBC session I believe:
"Nardis" (Davis, arr Ardley)
"Summertime" (Gershwin, arr Ardley)
"Study" (Segovia, arr Mike Taylor)
"Angle" (Howard Riley)
"Rebirth" (Mike Gibbs)
"Dusk Fire" (M Garrick)

Best regards, Tony"
. 

03/05/2016

Tony Tomlin went to Southend-on-Sea cemetery.

Brother of sax player Dave, Tony Tomlin, who helped me with some decisive researches for the book, recently went to cemetery where Mike Taylor's headstone stands...
He sent me some new photos taken there with my (our) book leant on the grave.
He wrote: "I went to the cemetery! Mike's headstone has a serious list now, not helped by an Elder bush which is trying to push him over. Not the easieast angle to take pictures but hopefully one of these will be of interest to you...".

The importance of Tony on the reconstruction of Mike Taylor's biography is most of all to have researched and found the right place of the headstone, when none knew or remembered where it was... 





In this terrible year for the Arts, where so many musicians have passed away, we can only regret a great artist as the young Mike Taylor who dead at only 30 in so strange circumstances... 

26/04/2016

A 4 stars review on latest Record Collector Magazine!

On the latest Record Collector (issue 453 May 2016) KRIS NEEDS writes a very good review on "Out of Nowhere". You can read it here below:


The "Record Collector" link to the review is at: http://recordcollectormag.com/reviews/nowhere-uniquely-elusive-jazz-mike-taylor
In the meanwhile yesterday the book has come back on Amazon Best Sellers at 15°, today at 41°...

18/04/2016

Original Mike Taylor's colourful drawing.

Here below we have the reproduction of the colourful drawing that Mike gave to Ron Rubin as a gift in 1967, one of the few left.



In the meanwhile "Out of Nowhere" today is ninth on the Amazon UK's Best Sellers Jazz Musicians Biographies section (read here)!

01/04/2016

Mike Taylor's original handmade scores.


Written on paper on September 25th, 1964 by Mike Taylor for his friend Trevor Watts with the proposal to rehearsal, these are the scores of "Rama", an unrealised composition never played on live concerts or recorded sessions.
Mike hand drew the staves and everything in neat pen and ink on a thickish tissue type of paper.
The binder was also self made with a stiff orange and clips to keep it all together...
Apart the fact that it is a precious object, it would be a wonderful thing if someone would decide to play/record this unrealised music.





 

12/03/2016

A new review published on influential "Jazz Journal" in December 2015 issue!


On "Jazz Journal" (issue 64) published in December 2015  a very positive review by Roger Farbey about "Out of Nowhere"!
The journalist states: "Luca Ferrari, for the first time, offers up a whole book on Taylor and despite several unvoidable questions marks over details, delivers a fascinating account of a musician who epitomised the creatively significant mid-to-late 1960s period of British jazz"...
And further: "... the book throws up more questions than answers. However, proofreading deficiencies notwithstanding, this is a welcome addition to the canon of British jazz biographies, particularly as it focuses on the tragic life of a musician who never realised his full potential but nevertheless made a profound impact on British jazz".
Thanks Mr. Farbey for having got the deeper meaning of my book:  write the sad tale of a talented musician throwing up more questions than answers...

 


In the meanwhile the book is disappeared from the Amazon jazz biographies best sellers...

20/02/2016

Probably the last house where Mike Taylor lived...

Here below you can see a shot of the last house where Mike Taylor lived - 12, Fairlawn Grove London W4. 
Infact this was his last certified address printed on his identity card when he died...

29/12/2015

Today got 5 stars on Amazon!


Coming back today on the Amazon Best Jazz biographies section at 26°, the book has got its first five stars by a benevolent reader named Alan Giles. You can read his very long review here

He states that "the book is highly readable, and very worth while obtaining. I found it very interesting. Its author, Luca Ferrari has made a very credible attempt to make bricks without straw...".

An then: "I just wish a real jazz historian like Simon Spillett had written this work – when you read his biography of Tubby Hayes The Long Shadow of The Little Giant, you know the forensic work that went into it to make it impossible for anyone else ever to improve on it, for it's clarity and scrupulous fairness and honesty. With all due respect to Mr Ferrari, I would have tried to dig deeper, but I genuinely congratulate him on writing this book at all. My only quibble is the implication that he was mentally ill (“madness” is a word that crops up more than once). Unless depression and discontent has been reclassified thus, I don't believe he was".


Anyway, I'm sorry, I'm not Simon Spillet and this is just a book that tries to recover the life and the career of a great obscure musician. Usually the most famous jazz historians and writers/journalists of music are involved in other kind of biographies - John Coltrane, Miles Davis, Monk, Jarrett...
I'm an an Italian writer and I'm living in Italy, so usually I have some problems to make researches and get stuff for a book about an English musician... 

Then, I genuinely wish someone can improve this my work, I don't believe at all in that classic commonplace about "the definitive biography" about anyone...
This is my story of Mike Taylor. I hope in the future there will be many other stories about him written by others!


Updates:
on 30th December: the book is graded #71
on 31th December: #2 (!) then #11 
on January 1st: #55, then #65 

15/11/2015

"Out of Nowhere" at 55° in Best Sellers jazz biography!


After been disappeared for some weeks, unexpectedly today "Out of Nowhere" is at 55° in Amazon.co.uk best sellers jazz musician biographies!
Even if I don't understand what it means, I'm very glad of it...
http://www.amazon.co.uk/gp/bestsellers/books/512316/ref=pd_zg_hrsr_b_1_5_last#3

                                        Mike's personal copy of "Trio" (courtesy of KORO ITO)!

Of course, the great relevance of this is that the name of  Mike Taylor is now along with jazz monsters as John Coltrane, Miles Davis, Charles Mingus, Billie Holiday, Thelonious Monk, Jaco Pastorius, Louis Armstrong...

Updates:
on December 4th: 11°
on December 5th: 15° then 20°
on December 6th: 63° 
on December 12th: 28°

27/10/2015

Canadian "Jazz World" reviews "Out of Nowhere".


Ben Waxman of Canadian jazz magazine "Jazz World" reviews my book on Mike Taylor inside a bigger review also dedicated to one other book - "Beyond Jazz: plink, plonk & scratch; the golden age of free music in London 1966-1972" by Trevor Barre (Compass Press).
The complete text is available at http://www.jazzword.com/one-review/?id=128886

 
About "Out of Nowhere" he writes:
"Out Of Nowhere, the Uniquely Elusive Jazz of Mike Taylor is an exhaustive near hagiography tracing the brief career of a British pianist whose career began and ended in the 1960s and whose particular music and short life characterized all that was good and bad about the improvised and overall music scene during that representative decade".
"(...) Pianist Mike Taylor’s will-o-wisp career intersected slightly with the Free players lionized in Barre’s book but his career was more mainstream and ultimately tragic. Taylor (1938-1969), was a jobbing pianist and composer who, in the early 1960s, was working on a synthesis of Bill Evans’ and Horace Silver’s keyboard-centric sound with European notated music and aiming towards creating a unique sound. While he did play at the SME and Incus Records-affiliated hangout The Little Theatre club, it was just one of the many pubs, clubs and concerts at which he found work until, drug dependency, mental illness and finally suicide by drowning in the Themes river, curtailed a promising career. Besides Taylor’s sidemen were less singular in their pursuits than the committed British improvisers. Like teenage girls in a clothing store, they tried many genres of music on for size – dance band, Blues, R&B, and studio work as well as Jazz. Some, including drummer Ginger Baker and bassist Jack Bruce who formed Cream; drummer John Hiseman who led Colosseum; and saxophonist/organist Graham Bond; went on to a form of Rock stardom.
Luca Ferrara’s exhaustive, if somewhat plodding, volume tries to piece together the shards of Taylor’s life. The initially fastidiously dressed pianist, who also had a day job as a salesman, was notoriously uncommunicative about his art even to fellow musicians who played his knotty compositions and arrangements. Following the breakup of his marriage, coupled who a general lack of recognition for Jazz in what become Beat Music obsessed London, Taylor, whose only previous deviation from then straight life was consumption of marijuana was transformed Jekyll-and-Hyde-like into a hippie-LSD freak. More-than-daily Acid trips turned his standoffishness into non-communication, his appearance to that of a tramp with unkempt hair and beard and barefoot, and his instrument of choice a broken clay drum. Ferrara has combed through as many of the official documents, contemporary media and interviews with Taylor’s friends and fellow musicians, most notably Hiseman, bassist Ron Rubin and as many others as he could find, to build this published monument.
Unfortunately like that Gertrude Stein said about Oakland, California, “there is no there there” could also apply to Taylor’s non-musical life. Someone whose demand for complete control led to him exactingly capture his own scores on self-drawn score paper – and whose mental problems led him to toss his scores into the garbage can near the end of his life – the pianist would brook no compromises. By happenstance some scores were rescued by a passing friend. Taylor’s two LP releases, now collector’s items that change hands for hundreds of pounds, were recorded only through the enthusiasm of engineer/producer/studio owner Denis Preston, and once the pianist became immersed in the drug-hippie-psychosis-homeless culture it was only Rubin who secured him a few gigs where he frequently didn’t show up, wouldn’t play or merely mumbled at the few audience members.
Ironically, as the author points out, even though the Taylor band opened for Ornette Coleman at one well-remembered London concert, what renown the pianist has now is related to happenstance. Three of his co-compositions were included in rock band Cream’s best-selling Wheels of Fire two-LP set, making his name a footnote for obsessive Brit-Rock collectors. Drummer Baker, who is listed as co-composer, had played with Taylor. More crucially, the all-star British New Jazz Orchestra, directed by Neil Ardly, recorded three of Taylor’s compositions on LP in 1968 and 1970 which fit seamlessly among the other Jazz classics on the disc. Of course the orchestration was by Ardly from Taylor’s original lines; with a similar job done on the dozen Taylor tunes that made up 2007’s Mike Taylor Remembered session, the scores of some were those rescued from incineration.
Out of Nowhere encompasses the virtues of oral history: dogged research, exhaustive detailing and reproduction of key items in Taylor’s life and music. But it also includes most of the genre’s many faults: repetition of too much minutia; reliance on suppositions from various sources without strong enough editorial judgment; inflation of minor or everyday episodes to life-altering experiences; and the usual sloppy foot-noting, imprecise language and fear of excising extraneous details that plagues labors of love such as this one. For what it is, the story clips along at a racehorse-like gallop and provides details otherwise ignored in music books dedicate to famous players. But in the end nostalgia for, obsession with, or knowledge of that particular epoch in British music would aid in appreciating the book".

Apart my name wrongly written (many years ago I wrote a book with the pseudonym of Chino Ferrara...), I really appreciate the frankness  and the depth of this review. And even if negative about some aspects of the writing, I'm really proud the journalist states that my book "encompasses the virtues of oral history": this was one of the aims of this project.
The other one was to  try "to piece together the shards of Taylor’s life"...

03/10/2015

"Jazz Wise" magazine writes about the book...

Brian Priestley writes a review on "Jazz Wise" magazine of October issue with some positive appreciations ("well researched and well illustrated...") and some disapprovals.
I'm not agreed just with one thing, about my presumed invention of the expression "untied notes" because the journalist believes I accidentally refer to the form of "staccato". But "staccati" are sequences of notes not linked together, "a note of shortened duration, separated from the note that may follow by silence" (Wikipedia).
Taylor's piano notes in "Trio" album are 'untied' notes (i.e. listen to the incipit of "All you things you are"...) not 'staccati', because they have different times and beats...

26/09/2015

"Out of Nowhere" #1 Best seller book in Jazz musician biographies!

A great unexpected surprise was to discover on September 26th the book is #1 Best seller in Jazz musician biographies at Amazon UK!
If one considers the book has got just few reviews and scarce passages on the Web... it's a real miracle!
Go  here at the Amazon page and share my buzzzzz! 

Update 1 (27/09/2015): the book is at 34° but is a great score for myself anyway!
Update 2 (29/09/2015): the book is at 69°.
Update 3 (30/09/2015): the book is at 88°. 
Update 4 (01/10/2015): 50°.
Update 5: (03/10/2015): 76°

05/09/2015

Another review on Jazziz...


This is another review about the book written by Matt Micucci and posted on Jazziz Magazine Web site on July 2oth, 2015 (http://www.jazziz.com/new-book-on-life-of-british-jazz-composer-and-co-songwriter-for-cream-mike-taylor/):


New Book On Life Of British Jazz Composer and Co-Songwriter For Cream, Mike Taylor
by Matt Micucci

 
In January 1969, a man known as Mike Taylor drowned in the River Thames near Leigh-on-Sea, UK. Despite having had a brief but intense career as a jazz composer, pianist and recording artist in the British scene of the mid to late sixties, his death was widely unremarked. Now, a new biography entitled Out of Nowhere, written by underground author Luca Ferrari and published by UK’s Gonzo Media aims to resurrect his memory.

Ferrari says: “My book was a real challenge because apart two good articles nothing was known about Mike Taylor, just some dates from his past, often fakes, never verified.”

Mike Taylor was born in 1938 in Ealing, West London. Having rehearsed and written extensively throughout the early sixties, he recorded two albums for the Lansdowne series produced by Denis Preston. The first was a standard hard-bop driven record named “Pendulum” (1966), with drummer John Hiseman, bassist Tony Reeves and saxophonist Dave Tomlin. The second “Trio” (1967), with Hiseman and bassists Jack Bruce and Ron Rubin, geared more towards a temperate free jazz style.

His pieces were recorded and played by many of his contemporaries. Among them, rock legends Cream. Three of Taylor’s compositions – Pressed Rat and Warthog, Passing the Time and Those Were the Days – are featured in their album Wheels of Fire (1968) with lyrics by drummer Ginger Baker.

A failed marriage and heavy drug use would mark his demise. He would spend the last two years of his life homeless and painfully wandering around London, often near Kew and Richmond Park, until his sudden death in the water of Thames.

It was not before 2007 that his memory was somewhat resurrected, when the independent record label Dusk Fire Records released Mike Taylor Remembered for the first time – a 1973 tribute to the musician by Neil Ardley, Jon Hiseman, Ian Carr, Barbara Thompson and other major modern British jazz players.

And now, his memory lives on with the first biography on his life Out of Nowhere by Luca Ferrari, who has written extensively about rock and folk music in the past. “Listening to [Mike Taylor’s] few records I discovered this wonderful obscure world of sounds, a very rare dimension of intimacy, made of experimentations and great sensibility”, Luca says. “This book is a sort of reparative way to celebrate his musical genius and to recollect his life.”

In January 1969, a man known as Mike Taylor drowned in the River Thames near Leigh-on-Sea, UK. Despite having had a brief but intense career as a jazz composer, pianist and recording artist in the British scene of the mid to late sixties, his death was widely unremarked. Now, a new biography entitled Out of Nowhere, written by underground author Luca Ferrari and published by UK’s Gonzo Media aims to resurrect his memory.
Ferrari says: “My book was a real challenge because apart two good articles nothing was known about Mike Taylor, just some dates from his past, often fakes, never verified.”
Mike Taylor was born in 1938 in Ealing, West London. Having rehearsed and written extensively throughout the early sixties, he recorded two albums for the Lansdowne series produced by Denis Preston. The first was a standard hard-bop driven record named “Pendulum” (1966), with drummer John Hiseman, bassist Tony Reeves and saxophonist Dave Tomlin. The second “Trio” (1967), with Hiseman and bassists Jack Bruce and Ron Rubin, geared more towards a temperate free jazz style.
His pieces were recorded and played by many of his contemporaries. Among them, rock legends Cream. Three of Taylor’s compositions – Pressed Rat and Warthog, Passing the Time and Those Were the Days – are featured in their album Wheels of Fire (1968) with lyrics by drummer Ginger Baker.
A failed marriage and heavy drug use would mark his demise. He would spend the last two years of his life homeless and painfully wandering around London, often near Kew and Richmond Park, until his sudden death in the water of Thames.
It was not before 2007 that his memory was somewhat resurrected, when the independent record label Dusk Fire Records released Mike Taylor Remembered for the first time – a 1973 tribute to the musician by Neil Ardley, Jon Hiseman, Ian Carr, Barbara Thompson and other major modern British jazz players.
And now, his memory lives on with the first biography on his life Out of Nowhere by Luca Ferrari, who has written extensively about rock and folk music in the past. “Listening to [Mike Taylor’s] few records I discovered this wonderful obscure world of sounds, a very rare dimension of intimacy, made of experimentations and great sensibility”, Luca says. “This book is a sort of reparative way to celebrate his musical genius and to recollect his life.”
- See more at: http://www.jazziz.com/new-book-on-life-of-british-jazz-composer-and-co-songwriter-for-cream-mike-taylor/#sthash.xtobt3Pj.dpuf
In January 1969, a man known as Mike Taylor drowned in the River Thames near Leigh-on-Sea, UK. Despite having had a brief but intense career as a jazz composer, pianist and recording artist in the British scene of the mid to late sixties, his death was widely unremarked. Now, a new biography entitled Out of Nowhere, written by underground author Luca Ferrari and published by UK’s Gonzo Media aims to resurrect his memory.
Ferrari says: “My book was a real challenge because apart two good articles nothing was known about Mike Taylor, just some dates from his past, often fakes, never verified.”
Mike Taylor was born in 1938 in Ealing, West London. Having rehearsed and written extensively throughout the early sixties, he recorded two albums for the Lansdowne series produced by Denis Preston. The first was a standard hard-bop driven record named “Pendulum” (1966), with drummer John Hiseman, bassist Tony Reeves and saxophonist Dave Tomlin. The second “Trio” (1967), with Hiseman and bassists Jack Bruce and Ron Rubin, geared more towards a temperate free jazz style.
His pieces were recorded and played by many of his contemporaries. Among them, rock legends Cream. Three of Taylor’s compositions – Pressed Rat and Warthog, Passing the Time and Those Were the Days – are featured in their album Wheels of Fire (1968) with lyrics by drummer Ginger Baker.
A failed marriage and heavy drug use would mark his demise. He would spend the last two years of his life homeless and painfully wandering around London, often near Kew and Richmond Park, until his sudden death in the water of Thames.
It was not before 2007 that his memory was somewhat resurrected, when the independent record label Dusk Fire Records released Mike Taylor Remembered for the first time – a 1973 tribute to the musician by Neil Ardley, Jon Hiseman, Ian Carr, Barbara Thompson and other major modern British jazz players.
And now, his memory lives on with the first biography on his life Out of Nowhere by Luca Ferrari, who has written extensively about rock and folk music in the past. “Listening to [Mike Taylor’s] few records I discovered this wonderful obscure world of sounds, a very rare dimension of intimacy, made of experimentations and great sensibility”, Luca says. “This book is a sort of reparative way to celebrate his musical genius and to recollect his life.”
- See more at: http://www.jazziz.com/new-book-on-life-of-british-jazz-composer-and-co-songwriter-for-cream-mike-taylor/#sthash.xtobt3Pj.dpuf

NEW BOOK ON LIFE OF BRITISH JAZZ COMPOSER, MIKE TAYLOR

- See more at: http://www.jazziz.com/new-book-on-life-of-british-jazz-composer-and-co-songwriter-for-cream-mike-taylor/#sthash.xtobt3Pj.dpuf

NEW BOOK ON LIFE OF BRITISH JAZZ COMPOSER, MIKE TAYLOR

- See more at: http://www.jazziz.com/new-book-on-life-of-british-jazz-composer-and-co-songwriter-for-cream-mike-taylor/#sthash.xtobt3Pj.dpuf